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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>All images courtesy of Adetona Omokanye.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Bringing Bright Ackwerh’s “Cartoons from Accra” to Life: Correspondence of an amateur curator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Accra's Middle Class (Akua Antwiwaa Frempong and Francis Kokoroko) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Poster for Popular Culture, Art &amp; Activism Conference. Artwork by Joseph Oduro-Frimpong.</image:caption>
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    <loc>https://www.africaproactive.com/blog/opinion-piece-lgbtqi-in-ghana-aka-lgbtqrstz-whatever</loc>
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    <lastmod>2021-10-15</lastmod>
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    <loc>https://www.africaproactive.com/blog/releasethe21-the-lgbtq-community-and-christian-nationalism-in-ghana</loc>
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    <lastmod>2021-06-18</lastmod>
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      <image:title>Blog - Ghana’s Crackdown on LGBTQ+ has a (Neo)Colonial and Christian Face - Make it stand out</image:title>
      <image:caption>Photo Credit: @tom_of_A_boy</image:caption>
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      <image:title>Blog - Ghana’s Crackdown on LGBTQ+ has a (Neo)Colonial and Christian Face - Make it stand out</image:title>
      <image:caption>Image Credit: @we.go.be.free</image:caption>
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  <url>
    <loc>https://www.africaproactive.com/blog/rules-are-rules-discrimination-and-calls-for-a-more-inclusive-education-in-senior-high-schools-in-ghana</loc>
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    <priority>0.5</priority>
    <lastmod>2025-10-22</lastmod>
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      <image:title>Blog - “Rules are Rules”: Discrimination and Calls For a More Inclusive Senior High School Education in Ghana</image:title>
      <image:caption>Achimota Inauguartion, 1927 (Image Credit: Wikimedia Commons)</image:caption>
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      <image:title>Blog - “Rules are Rules”: Discrimination and Calls For a More Inclusive Senior High School Education in Ghana</image:title>
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  <url>
    <loc>https://www.africaproactive.com/blog/is-covid-19-exacerbating-inequality-in-ghana-an-interrogation-of-the-evidence-1</loc>
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    <priority>0.5</priority>
    <lastmod>2021-04-20</lastmod>
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      <image:title>Blog - Is COVID-19 Exacerbating Inequality in Ghana? An Interrogation of the Evidence</image:title>
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  <url>
    <loc>https://www.africaproactive.com/blog/queer-feminist-organizing-in-ghana-and-beyond-a-special-panel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-10</lastmod>
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      <image:title>Blog - Queer Feminist Organizing in Ghana and Beyond: A Special Panel</image:title>
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  <url>
    <loc>https://www.africaproactive.com/blog/propagandizing-a-pandemic-the-narrative-of-progress-in-ghanas-covid19-response</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-03</lastmod>
    <image:image>
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      <image:title>Blog - Propagandizing a Pandemic: The narrative of “progress” in Ghana’s COVID19 response</image:title>
      <image:caption>Figure 1: Search of news stories about COVID19 in Ghana on Citi Newsroom (citinewsroom.com)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1614785953362-UDLQ0Y26UE3FNDPUCGI7/Screen+Shot+2021-03-03+at+10.36.21+AM.png</image:loc>
      <image:title>Blog - Propagandizing a Pandemic: The narrative of “progress” in Ghana’s COVID19 response</image:title>
      <image:caption>Figure 2 Screenshots of information graphics on COVID19 updates June 28, 2020 (left) and December 27, 2020 (right)</image:caption>
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    <image:image>
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      <image:title>Blog - Propagandizing a Pandemic: The narrative of “progress” in Ghana’s COVID19 response</image:title>
      <image:caption>Kojo Oppong-Nkrumah. Minster of Information, Ghana (Image Credit: Reuters)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1614786912628-NSEOCBXXVJFDX4WME9O3/153286097_439230224058100_7014895607826956612_n.jpg</image:loc>
      <image:title>Blog - Propagandizing a Pandemic: The narrative of “progress” in Ghana’s COVID19 response</image:title>
      <image:caption>Author: Nii Kotei Nikoi</image:caption>
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  <url>
    <loc>https://www.africaproactive.com/blog/mixed-love-namaste-wahala-as-fiction-and-reality-africaproactiveeveryday-orientalism-panel-march-12th</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-16</lastmod>
    <image:image>
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      <image:title>Blog - Black, Brown and in Love: Interracial Relationships between Africa and India</image:title>
      <image:caption>David Amponsah</image:caption>
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    <image:image>
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      <image:title>Blog - Black, Brown and in Love: Interracial Relationships between Africa and India</image:title>
      <image:caption>Meera Venkatachalam</image:caption>
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    <image:image>
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      <image:title>Blog - Black, Brown and in Love: Interracial Relationships between Africa and India</image:title>
      <image:caption>Image by Bright Ackwerh @brightackwerh</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1614614038091-E233V6IAGMOPY8O2TXPM/Shankar+photo.jpg</image:loc>
      <image:title>Blog - Black, Brown and in Love: Interracial Relationships between Africa and India</image:title>
      <image:caption>Shobana Shankar</image:caption>
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    <image:image>
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      <image:title>Blog - Black, Brown and in Love: Interracial Relationships between Africa and India</image:title>
      <image:caption>Tracy Lucky Mensah</image:caption>
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  </url>
  <url>
    <loc>https://www.africaproactive.com/blog/this-is-not-namaste-wahala-on-silences-hisstories-and-ghanas-oldest-south-asian-family</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1614269058046-FIQFD1U9A8CGYK7I9R2Y/019PHO0000940S1U00037000%5BSVC2%5D.jpg</image:loc>
      <image:title>Blog - This is not Namaste Wahala: On Silences, (His)Stories and Ghana’s Oldest South Asian Family</image:title>
      <image:caption>Hyderabad, Sindh, c. 1890s. Source: British Library Online: http://www.bl.uk/onlinegallery/onlineex/apac/photocoll/h/largeimage62537.html</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1614269897111-OR43WKXGC8VSNP0B9WDE/Daddy+buddies.jpg</image:loc>
      <image:title>Blog - This is not Namaste Wahala: On Silences, (His)Stories and Ghana’s Oldest South Asian Family</image:title>
      <image:caption>Vassiomal aka Victor Daswani (left) with his friends. Hyderabad, Sindh, date unknown.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1614270014907-DQ6HAEV8BS67RVO0O7JE/Capture+d%E2%80%99e%CC%81cran+2021-02-23+a%CC%80+09.16.32.png</image:loc>
      <image:title>Blog - This is not Namaste Wahala: On Silences, (His)Stories and Ghana’s Oldest South Asian Family</image:title>
      <image:caption>Typical ship journey between Sindh and the Gold Coast (via the Suez Canal) at the time of the British Empire</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1614270037566-2DLM0UA84RK5C8RIXMVZ/Capture+d%E2%80%99e%CC%81cran+2021-02-23+a%CC%80+09.28.14.png</image:loc>
      <image:title>Blog - This is not Namaste Wahala: On Silences, (His)Stories and Ghana’s Oldest South Asian Family</image:title>
      <image:caption>Sindh and its neighboring regions. Source: Google Earth</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1614270067927-9Q3ZWDDM1Z9MYXXVOCOQ/Capture+d%E2%80%99e%CC%81cran+2021-02-23+a%CC%80+09.29.31.png</image:loc>
      <image:title>Blog - This is not Namaste Wahala: On Silences, (His)Stories and Ghana’s Oldest South Asian Family</image:title>
      <image:caption>Ghana and its surrounding countries. Source: Google Earth</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1614268290772-ZIG4U3QNYZV0M4XVNW88/Screen+Shot+2021-02-25+at+10.50.33+AM.png</image:loc>
      <image:title>Blog - This is not Namaste Wahala: On Silences, (His)Stories and Ghana’s Oldest South Asian Family</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1614286513794-5YDL0GAI0HX9KNMBBXRD/IMG_1972.jpg</image:loc>
      <image:title>Blog - This is not Namaste Wahala: On Silences, (His)Stories and Ghana’s Oldest South Asian Family</image:title>
      <image:caption>Victor Daswani and a friend in Kumasi, date unknown</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1614286686869-JSR6XKRKXE1CI2694VEG/IMG_1982.jpg</image:loc>
      <image:title>Blog - This is not Namaste Wahala: On Silences, (His)Stories and Ghana’s Oldest South Asian Family</image:title>
      <image:caption>Baboo Bazaar and Vic Baboo’s Cafe, Kumasi, 1990s. The family business took off again in the 1990s thanks to the hard work of my aunt (Victor’s daughter-in-law). The original site of Baboo Bazaar was demolished in the 2010s, and the family café has since relocated to Victor’s (now my uncle’s) house compound.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1614287645324-1221BNPCYEEX8XF2HO3V/daddyopokuware.jpg</image:loc>
      <image:title>Blog - This is not Namaste Wahala: On Silences, (His)Stories and Ghana’s Oldest South Asian Family</image:title>
      <image:caption>Otumfo (King of Asante) Opokuware II surrounded by the author’s grandparents Mohini (left) and Victor (right)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1614286857349-5X4XI73KXXT1Z0UKELNN/IMG_2511.jpg</image:loc>
      <image:title>Blog - This is not Namaste Wahala: On Silences, (His)Stories and Ghana’s Oldest South Asian Family</image:title>
      <image:caption>Family reunion at Vic Baboo’s cafe, Kumasi, 1999. From left to right: The author (dressed in Vic Baboo’s cafe server’s uniform), Victor, Babu, and Eddie.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1614286954812-CPQSKF6SGCS0SHT8MKRN/IMG_2484+2.jpg</image:loc>
      <image:title>Blog - This is not Namaste Wahala: On Silences, (His)Stories and Ghana’s Oldest South Asian Family</image:title>
      <image:caption>The author with his grandparents Victor and Mohini, Kumasi, 2000.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1614287157838-WB3A0FUVFI0YSW335B7Z/IMG_1985.jpg</image:loc>
      <image:title>Blog - This is not Namaste Wahala: On Silences, (His)Stories and Ghana’s Oldest South Asian Family</image:title>
      <image:caption>The author and his father on the latter’s wedding day, Accra, 2003</image:caption>
    </image:image>
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  <url>
    <loc>https://www.africaproactive.com/blog/on-beyoncs-africa-african-perspectives-on-black-is-king</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1596681384125-ZJN90VEBDSPX7QGW4EGJ/BeyonceBright.jpeg</image:loc>
      <image:title>Blog - On Beyoncé’s Africa: African Perspectives on ‘Black Is King’</image:title>
      <image:caption>Beyoncé by Bright Ackwerh (posted with the artist’s generous permission)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1596679480436-NKIUKBO7AQBSN98F4B9B/BeyonceBright.jpg</image:loc>
      <image:title>Blog - On Beyoncé’s Africa: African Perspectives on ‘Black Is King’</image:title>
      <image:caption>Cover Picture: Drawing by Bright Ackwerh @brightackwerh (posted with the artist’s generous permission)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.africaproactive.com/blog/the-poor-are-paying-for-the-whole-ghana-approach-in-the-fight-against-covid-19</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-22</lastmod>
    <image:image>
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      <image:title>Blog - The Poor are Paying for the Whole Ghana Approach in the Fight Against COVID-19</image:title>
    </image:image>
    <image:image>
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      <image:title>Blog - The Poor are Paying for the Whole Ghana Approach in the Fight Against COVID-19</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1592590867984-JL6SFYD5B2D7TLL2M4PC/Figure+1+-+COVID+Ghana.png</image:loc>
      <image:title>Blog - The Poor are Paying for the Whole Ghana Approach in the Fight Against COVID-19</image:title>
    </image:image>
    <image:image>
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      <image:title>Blog - The Poor are Paying for the Whole Ghana Approach in the Fight Against COVID-19</image:title>
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      <image:title>Blog - The Poor are Paying for the Whole Ghana Approach in the Fight Against COVID-19</image:title>
    </image:image>
    <image:image>
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      <image:title>Blog - The Poor are Paying for the Whole Ghana Approach in the Fight Against COVID-19</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.africaproactive.com/blog/mlgkdys7yj072d09odcl301oukl5ro</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-25</lastmod>
    <image:image>
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      <image:title>Blog - From Accra to Harlem and Back: Black Histories Matter</image:title>
      <image:caption>At a rally in Harlem: Malcolm X, Kwame Nkrumah and Adam Clayton Powell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1591566179653-ID6JPI0NSRO5TQIFQTHQ/EZcydw8WAAAuvTb.jpeg</image:loc>
      <image:title>Blog - From Accra to Harlem and Back: Black Histories Matter</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1591616098973-DAXYZ30SFZ8725E5EKVA/12321584_1074338845920723_6523936014409474900_n.jpg</image:loc>
      <image:title>Blog - From Accra to Harlem and Back: Black Histories Matter</image:title>
      <image:caption>Cartoon by Bright Ackwerh, https://www.instagram.com/brightackwerh/</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.africaproactive.com/blog/a-following-is-never-owned</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1588028760095-J0V8RXC612PS80XCN4NB/Golda+Bio+Pic+Africa+ProActive.jpg</image:loc>
      <image:title>Blog - A Following is Never Owned</image:title>
      <image:caption>Golda Naa Adaku Addo is a strategist and a trainer in Communications, Monitoring &amp; Evaluation, Knowledge Production, Policy, and Community Development. She brings a piercing and uncanny forecasting ability to many areas of national development, and often engages her followers and networks in a hybrid of playful-serious musings that often triggers surprise or humour, and leads to more musings, creates some new perceptions, challenges mindsets, and throws some hard truths at concretised harmful institutional thinking.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.africaproactive.com/blog/covid-19-a-whole-ghana-approach</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1585924138655-3EZ46MMP3PV5WHWC55EM/Map+of+Ghana</image:loc>
      <image:title>Blog - COVID-19: A Whole Ghana Approach</image:title>
      <image:caption>Source:https://ghc-ca.com/ghana-at-a-glance/location-maps/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1585924831044-Z8PP3RCSVKWOWDOHE7XZ/Chart+COVID+Cases+Ghana.png</image:loc>
      <image:title>Blog - COVID-19: A Whole Ghana Approach</image:title>
      <image:caption>Source: Author’s, data from Ghana Health Service</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/1585924612461-FJF4DSG9EL631LXQR781/Map+of+COVID+cases+Ghana.png</image:loc>
      <image:title>Blog - COVID-19: A Whole Ghana Approach</image:title>
      <image:caption>Regions &amp; Cities which with COVID-19 confirmed cases (colored red)</image:caption>
    </image:image>
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    <lastmod>2019-11-14</lastmod>
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    <lastmod>2021-11-19</lastmod>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5daf4e3952d22061bdfefd7d/bdae63a5-57a1-423c-985c-5a68176123e1/WhatsApp+Image+2021-11-17+at+8.38.27+PM.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>Amidu Mutaru Amidu is a PhD student at the anthropology department of the University of Toronto. Amidu, born and bred by a non-elite large family in the Northeastern Ghana, has completed all his elementary and secondary education in this region in the face of significant socio-economic perils. Amidu has secured funding supports at various stages of his post-secondary studies leading to awards of BA Religious Studies and MSc African Studies from the Kwame Nkrumah University of Science and Technology (KNUST) and Oxford University respectively. Amidu’s research interests lie in the theoretical crossroads among cyber frauds, spirituality, migration and morality in Ghana. His PhD dissertation focuses (or intends to focus) on how Ghanaian youth intrumentalization of spirituality influence economic and technological mobilities, but also raises questions of morality and moral discourses in Ghana and beyond</image:caption>
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