Africa ProActive
  • Blog
  • Archive
  • About

Africa ProActive

  • Blog/
  • Archive/
  • About/
6521fcf5-b19c-4934-b4a0-ed5b81bc661c.JPG

Africa ProActive

Blog

Africa ProActive

  • Blog/
  • Archive/
  • About/
  • Blog/
  • Archive/
  • About/

Africa ProActive

Africa ProActive is a blog spotlighting the political lives of people in the African continent.

Subscribe

Sign up to receive updates from Africa ProActive.

Thank you!
  • Africa-Asia Relations
    • Feb 24, 2021 This is not Namaste Wahala: On Silences, (His)Stories and Ghana’s Oldest South Asian Family Feb 24, 2021
    • Mar 26, 2020 Japanese kyōsei: A comparative model for co-existence in Africa? Mar 26, 2020
  • Africa-India Relations
    • Mar 1, 2021 Black, Brown and in Love: Interracial Relationships between Africa and India Mar 1, 2021
    • Feb 24, 2021 This is not Namaste Wahala: On Silences, (His)Stories and Ghana’s Oldest South Asian Family Feb 24, 2021
  • Artivists
    • Feb 13, 2023 Music and Activism in Ghana (Wanlov the Kubolor and Kwame Write) Feb 13, 2023
    • Feb 9, 2023 On the State of Popular Art (Media) and Research in Ghana Feb 9, 2023
    • Oct 4, 2022 Booing is Caring: Mutombo Da Poet on the Global Citizen Festival and Ghana Oct 4, 2022
    • Mar 26, 2020 Japanese kyōsei: A comparative model for co-existence in Africa? Mar 26, 2020
    • Jan 21, 2020 God’s Business: Artivist Responses to Ghana’s National Cathedral Project Jan 21, 2020
  • Civil Society/Activism
    • Feb 13, 2023 Music and Activism in Ghana (Wanlov the Kubolor and Kwame Write) Feb 13, 2023
    • Oct 4, 2022 Booing is Caring: Mutombo Da Poet on the Global Citizen Festival and Ghana Oct 4, 2022
    • Oct 13, 2021 Vaginas and Penises: Why Ghana Is Not Having the Right Conversations About Them Oct 13, 2021
    • Jun 19, 2020 The Poor are Paying for the Whole Ghana Approach in the Fight Against COVID-19 Jun 19, 2020
    • Jun 8, 2020 From Accra to Harlem and Back: Black Histories Matter Jun 8, 2020
    • Apr 28, 2020 A Following is Never Owned Apr 28, 2020
  • Commentary
    • Feb 13, 2023 Music and Activism in Ghana (Wanlov the Kubolor and Kwame Write) Feb 13, 2023
    • Feb 9, 2023 On the State of Popular Art (Media) and Research in Ghana Feb 9, 2023
    • Oct 4, 2022 Booing is Caring: Mutombo Da Poet on the Global Citizen Festival and Ghana Oct 4, 2022
    • Oct 13, 2021 Vaginas and Penises: Why Ghana Is Not Having the Right Conversations About Them Oct 13, 2021
  • Cross-cultural relations
    • Mar 1, 2021 Black, Brown and in Love: Interracial Relationships between Africa and India Mar 1, 2021
  • Ghana
    • Feb 9, 2023 On the State of Popular Art (Media) and Research in Ghana Feb 9, 2023
    • Oct 4, 2022 Booing is Caring: Mutombo Da Poet on the Global Citizen Festival and Ghana Oct 4, 2022
    • Oct 13, 2021 Vaginas and Penises: Why Ghana Is Not Having the Right Conversations About Them Oct 13, 2021
    • Jun 16, 2021 Ghana’s Crackdown on LGBTQ+ has a (Neo)Colonial and Christian Face Jun 16, 2021
    • Apr 23, 2021 “Rules are Rules”: Discrimination and Calls For a More Inclusive Senior High School Education in Ghana Apr 23, 2021
    • Apr 20, 2021 Is COVID-19 Exacerbating Inequality in Ghana? An Interrogation of the Evidence Apr 20, 2021
    • Mar 21, 2021 Queer Feminist Organizing in Ghana and Beyond: A Special Panel Mar 21, 2021
    • Mar 3, 2021 Propagandizing a Pandemic: The narrative of “progress” in Ghana’s COVID19 response Mar 3, 2021
    • Mar 1, 2021 Black, Brown and in Love: Interracial Relationships between Africa and India Mar 1, 2021
    • Jun 19, 2020 The Poor are Paying for the Whole Ghana Approach in the Fight Against COVID-19 Jun 19, 2020
    • Jun 8, 2020 From Accra to Harlem and Back: Black Histories Matter Jun 8, 2020
    • Apr 28, 2020 A Following is Never Owned Apr 28, 2020
    • Apr 3, 2020 COVID-19: A Whole Ghana Approach Apr 3, 2020
    • Jan 21, 2020 God’s Business: Artivist Responses to Ghana’s National Cathedral Project Jan 21, 2020
    • Nov 14, 2019 Ghana’s National Cathedral: Chale, what’s up with that? Nov 14, 2019
  • Health
    • Apr 20, 2021 Is COVID-19 Exacerbating Inequality in Ghana? An Interrogation of the Evidence Apr 20, 2021
    • Mar 3, 2021 Propagandizing a Pandemic: The narrative of “progress” in Ghana’s COVID19 response Mar 3, 2021
    • Apr 3, 2020 COVID-19: A Whole Ghana Approach Apr 3, 2020
  • LGBTQ+
    • Jun 16, 2021 Ghana’s Crackdown on LGBTQ+ has a (Neo)Colonial and Christian Face Jun 16, 2021
  • Panel
    • Feb 9, 2023 On the State of Popular Art (Media) and Research in Ghana Feb 9, 2023
    • Mar 21, 2021 Queer Feminist Organizing in Ghana and Beyond: A Special Panel Mar 21, 2021
    • Mar 1, 2021 Black, Brown and in Love: Interracial Relationships between Africa and India Mar 1, 2021
    • Aug 5, 2020 On Beyoncé’s Africa: African Perspectives on ‘Black Is King’ Aug 5, 2020
  • Popular Culture
    • Mar 1, 2021 Black, Brown and in Love: Interracial Relationships between Africa and India Mar 1, 2021
    • Feb 24, 2021 This is not Namaste Wahala: On Silences, (His)Stories and Ghana’s Oldest South Asian Family Feb 24, 2021
  • Religion
    • Feb 13, 2023 Music and Activism in Ghana (Wanlov the Kubolor and Kwame Write) Feb 13, 2023
    • Jun 16, 2021 Ghana’s Crackdown on LGBTQ+ has a (Neo)Colonial and Christian Face Jun 16, 2021
    • Mar 21, 2021 Queer Feminist Organizing in Ghana and Beyond: A Special Panel Mar 21, 2021
    • Jan 21, 2020 God’s Business: Artivist Responses to Ghana’s National Cathedral Project Jan 21, 2020
    • Nov 14, 2019 Ghana’s National Cathedral: Chale, what’s up with that? Nov 14, 2019